These images are highly personal, keyed to Gearon’s own life, reflecting its apparently equal helpings of chaos and stability. But they also remain strangely anonymous and distant. They speak of particulars but also tap into ubiquitous questions about life. Freezing these moments seemingly through children’s eyes, Gearonpresents us with the children’s complex mixture of innocence and insouciance, which comes from experiences as yet unmediated by grown-up sensibilities. Any questions we have as we look into these images are bounced back at us as the young counterparts concentrate on life lived.